Katrin Spranger creates sculpture and conceptual jewellery that deal with science fiction, environment and consumer culture. Focusing on resources that might become depleted in the future, she explores natural materials including crude oil, water and honey to develop wearable but also time-based and interactive pieces.


Katrin Spranger is a visual artist working with sculpture, jewellery and performance. She creates dystopian narratives that engage with the environment, consumer culture and science fiction.

Focusing on natural resources threatened with depletion, Katrin modifies materials and their properties to suit a variety of different applications. Past practice has included the development of crude oil into jewellery that melts on the body as well as the 3D-printing of honey into edible art. Forging different experiences for viewer and wearer, Katrin's interactive pieces comprise permanent and deteriorative elements that critique societal norms of beauty and value.

Katrin’s most recent work Aquatopia adopts a critical view of our fresh water supply, its increasing demand and pollution. Inspired by traditional water systems, the futuristic Aquatopia objects reappropriate original plumbing parts and laboratory found objects in order to reimagine familiar drinking vessels, scooping bowls, faucets and storages, including a bath tub. Made from copper and glass – traditionally associated with the transport and storage of water – the Aquatopia objects are produced via electroforming: a process in which a layer of copper is deposited on a conductive surface. Decorative, plant-like formations on each vessel reflect life's dependency on water.

With a background in traditional goldsmithing, Katrin holds a Master of Fine Arts from Konstfack University, Stockholm. As co-founder of the K2 Academy of Contemporary Jewellery, she teaches art and design qualifications in London.

Download CV here.